However, when you set out to duplicate the effect for yourself, it quickly becomes clear why a police siren was chosen for the demonstration: it has a very simple harmonic signature, and cuts cleanly through the ambient noise.
#Spectralayers pro 7 pro
Such a clean effect would be impossible to achieve with a traditional wave editor, yet SpectraLayers Pro 2 does it in a few clicks. One of Sony’s product demos shows the technique being used to completely remove a wailing police siren from an audio recording, with no audible detriment to the rest of the sound frankly, it’s stunning. This is the real party-trick of SpectraLayers Pro 2. You can also invert its phase, causing your captured elements to be silenced in the original file when the two layers are played simultaneously, or use it as a noiseprint, to subtract its frequencies from the original file as a whole. Once you’ve got your desired audio data on a fresh layer, you can adjust and scale the time and frequency components, apply 32-bit VST effects, or simply send it to a more conventional audio editor for direct editing. Cleverly, you can choose to base your selection on the second or third harmonic of a sound, rather than the fundamental, which is useful if your mix is muddy.
#Spectralayers pro 7 full
Replace audio in any selected layer with newly recorded audio.The Extract Harmonics tool does much the same, but it also captures harmonics at appropriate multiples of the fundamental frequency, in order to convey the full timbre of a voice or musical instrument.
Noise reduction – comprehensive noiseprint-based noise reduction.SpectraLayers Pro can also pass whole layers, and even bandwidth-limited selections from within layers, directly to other dedicated audio editing programs like Sound Forge Pro. VST effects – VST effects can be applied to individual layers.Audio extraction – You’re never more than three steps away from a new audio layer in SpectraLayers Pro.View, modify and draw tools – SpectraLayers Pro turns sound into a three-dimensional world of eye candy that can be entered and operated on using configurable tools.Shuttling blocks of sound between layers can be used in analysis and repair tasks as well as for radically creative arranging and rearranging of sound. Layer to layer copy and paste – SpectraLayers Pro takes audio copy and paste functionality into whole new dimensions.Dial them in to highlight only what you need, quickly, cleanly, and intuitively. Smart editing tools – Three configurable tools: Harmonics, Frequency, and Area, predict what your desired selection should be.Is it effective? Have you compared it to RX, and is there any difference between the results you can get from the two tools?Īny first-hand experience and thoughts would be very much appreciated! I'm keen to hear from anyone who might have used SpectraLayers. It seems to feature the same spectral editing functionality as RX.
I'm now looking to but a spectral editing tool, and have seen that Steinberg offer SpectraLayers - which integrates with ARA within Cubase for seamless editing. It even worked for exposed acoustic piano, which was very pleasing. We were able to us its spectral editing to pull out specific unwanted sounds, without and perceptible harm to the actual audio we wanted to keep. We used iZotope RX for a few months using a rental option, and the results were very good. These noises can be anything from cars passing, or birds tweeting - through to (sometimes) aircraft overhead. We are doing a lot of recording on-site (usually of solo piano, or piano with one other instrument) in locations where there are ambient noises.
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